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Early 21st century Amorphic - Blobitecture Expressionist Architecture

See also Amorphic Expressionist Architecture
The Guggenheim Museum Bilbao, along the Nervión River in downtown Bilbao by Frank Gehry. Peter Cook and Colin Fournier's 2003 Kunsthaus in Graz Aerial view of the Kunsthaus Graz from the Schlossberg
Golden Terraces in Warsaw Allianz Arena in Munich Stockholm Globe Arena, "Globen", in southern Stockholm, built in 1989
Blobitecture vs. Trees London City Hall. Norman Foster, 2002. Exterior siding of the Experience Music Project
Herzog & de Meuron - Prada Tokyo Christo - Wrapped Reichstag Christo - Wrapped Cologne Cathedral
ING Group Headquarters Herzog & de Meuron - Laban Center, London The Entrance – resort: mixed-use development, nr Sydney  2007 Tony Owen NDM Architects
Beijing National Stadium Beijing National Aquatics Centre Future Systems - Nicholas Kane - Natwest Media Stand, Lords Cricket Ground, London. Exterior at dusk
The Sage Gateshead building by Norman Foster
The style of architecture directly influenced by the new freedoms of computer modelling and, in its way, celebrating the computer age. Very popular in Europe in the late nineties and early millennium and characterised by a range of stylistic influences from amorphic blobby shapes to neo-moderne streamlined minimilism and endlessly folding slabs. A favourite of students and hipsters, it has strong parallels in graphic print media.
In some ways the style most representational of the boom era and the least built (as it often looks better in computer renderings than the real thing).

Future Systems' blobitecture design for the 2003 Selfridges department store, was intended to evoke the female sillouette and a famous "chainmail" dress designed by Paco Rabanne in the 1960s. Its landmark qualities were expected to rejuvenate the Birmingham city centre.

Future Systems' blobitecture design for the 2003 Selfridges department store, was intended to evoke the female sillouette and a famous "chainmail" dress designed by Paco Rabanne in the 1960s. Its landmark qualities were expected to rejuvenate the Birmingham city centre.

Blobitecture from blob architecture, blobism or blobismus are terms for a movement in architecture in which buildings have an organic, amoeba-shaped, bulging form. Though the term 'blob architecture' was in vogue already in the mid-1990s, the word blobitecture first appeared in print in 2002, in William Safire's "On Language" column in the New York Times Magazine in an article entitled Defenestration. Though intended in the article to have a derogatory meaning, the word stuck and is often used to describe buildings with curved and rounded shapes.

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Sydney Opera House

Origins of the term "blob architecture"

The term 'blob architecture' was coined by architect Greg Lynn in 1995 in his experiments in digital design with metaball graphical software. Soon a range of architects and furniture designers began to experiment with this "blobby" software to create new and unusual forms. Despite its seeming organicism, blob architecture is unthinkable without this and other similar computer-aided design programs. Architects derive the forms by manipulating the algorithms of the computer modeling platform. Some other computer aided design functions involved in developing this are the nonuniform rational B-spline or NURB, freeform surfaces, and the digitizing of sculpted forms by means akin to computed tomography.

Eden Project, Cornwall, England


One precedent is Archigram, a group of English architects working in the 1960s, to which Peter Cook belonged. They were interested in inflatable architecture as well as in the shapes that could be generated from plastic. Ron Herron, also member of Archigram created blob-like architecture in his projects from the 1960s, such as Walking Cities and Instant City, as did Michael Webb with Sin Centre.[4] There was a climate of experimental architecture with an air of psychedelia in the 1970s that these were a part of. Frederick Kiesler's unbuilt, Endless House is another instance of early blob-like architecture, although it is symmetrical in plan and designed before computers; his design for the Shrine of the Book (construction begun, 1965) which has the characteristic droplet form of fluid also anticipates forms that interest architects today.

Also to be considered, if one views blob architecture from the question of form rather than technology, are the organic designs of Antoni Gaudi in Barcelona and of the Expressionists like Bruno Taut and Hermann Finsterlin.

Built Examples

Despite the narrow interpretation of Blob architecture (i.e. that coming from the computer), the word, especially in popular parlance, has come to be associated quite widely with a range of curved or odd-looking buildings including Frank Gehry's Guggenheim Museum Bilbao (1997) and the Experience Music Project (2000), though these, in the narrower sense are not blob buildings, even though they were designed by advanced computer-aided design tools, CATIA in particular.[5] The reason for this is that they were designed from physical models rather than from computer manipulations. The first full blob building, however, was built in the Netherlands by Lars Spuybroek (NOX) and Kas Oosterhuis. Called the Water Pavilion (1993-1997), it has a fully computer-based shape manufactured with computer-aided tools and an electronic interactive interior where sound and light can be transformed by the visitor.

A building that also can be considered an example of a blob is Peter Cook and Colin Fournier's Kunsthaus (2003) in Graz, Austria. Other instances are Roy Mason's Xanadu House (1979), and a rare excursion into the field by Herzog & de Meuron in their Allianz Arena (2005). By 2005, Norman Foster had involved himself in blobitecture to some extent as well with his brain-shaped design for the Philological Library at the Free University of Berlin and the Sage Gateshead opened in 2004.

The water pavilion from 1997 by NOX/Lars Spuybroek in the Netherlands.

Lynn, Greg. Folds, Bodies & Blobs : Collected Essays. La Lettre volée, 1998. ISBN
Muschamp, Herbert. The New York Times, Architecture's Claim on the Future: The Blob. July 23, 2000.
Safire, Wiliam. The New York Times: On Language. Defenestration. December 1 2002.
Waters, John K. Blobitecture: Waveform Architecture and Digital Design. Rockport Publishers, 2003. ISBN
Margaret Wertheim (2004-03-13). "Prototype shows that buildings may someday be constructed by robots" 2. Oakland Tribune (orig. NEW YORK TIMES).[hide]