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| Essential
Architecture- Search by style
Egyptian Revival Architecture |
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| Medical College of Virginia, 1845 |
Courthouse, Independence, Missouri, ca 1852 |
The entrance to the Egyptian Avenue in Highgate Cemetery in
London, England. |
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| Egyptian Theater, DeKalb, Illinois |
First Presbyterian Church, William Strickland,
Nashville, TN, 1951 |
Dodge Brothers Mausoleum, Detroit |
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| Lowenstein mausoleum in Sha'arai Shomayim Cemetery in
Mobile, Alabama. |
mausoleum of Maj. A.B. Watson, Oakhill Cemetery,
Grand Rapids, Michigan |
Philadelphia |
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| the 1856 Skull & Bones undergraduate secret society
at Yale. Architect's attribution in dispute, but may also be Henry Austin of
the Grove Street Cemetery Gates. |
the 1845 Hobart Synagogue, Tasmania, Australia. |
The Tombs, and 1838 prison and court complex in New York
City. |
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the 1845 massive brownstone entry gates of the Grove
Street Cemetery at Yale by architect Henry Austin. |
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Egyptian Revival architecture

Quay in Saint Petersburg, with two sphynxes of Amenhotep III brought from
Egypt in 1832.
Egyptian Revival is an architectural style that makes use of the motifs and
imagery of Ancient Egypt. It is generatlly dated to the enthusiasm for
Ancient Egypt generated by Napoleon's conquest of Egypt and, in Britain, to
Admiral Nelson's defeat of Napoleon at the Battle of the Nile. Napoleon took
a scientific expedition with him to Egypt. Publication of the expedition's
work, the Description de l'Egypte, becan in 1809 and came out in a series
though 1826. However, works of art and, in the field of architecture,
funerary monuments in the Egyptian style had appeared in scattered European
settings from the time of the Renaissance.
Egyptian Revival architecture before Napoleon
The most important example is probably Bernini's obelisk in the Piazza
navona at Rome. Bernini's obelisk influenced the obelisk constructed as a
family funeral memorial by Sir Edward Lovatt Pierce for the Allen family at
Stillorgan in Ireland in 1717, one of several early eighteenth century
Egyptian obelisks erected in Ireland in the early eighteenth century. others
may be found at Belan, County Kildare and Dangan, County Meath. The
Casteltown Folly in County Kildare is probably the best know, albeit the
least Egyptian, of these obelisks.
Egyptian buildings had also appeared as garden follies. The most elaborate
was probably the one built by the Duke of Württemberg in the garden's of the
Château de Montbéliard. It included an Egyptian bridge across which guests
walked to reach an island with an Egyptian swing and a an alaborate Egyptian
"bath house." The building featured a billiards room and a “bagnio.” It was
designed by the duke's court architect, Jean Baptiste Kleber.
Egyptian revival in the wake of Napoleon
What was new in the wake of the Napoleonic invasion was the sudden leap in
the number of works of art and the fact that, for the first time, European
buildings began to be built to resemble those of ancient Egypt.
The first of the Egyptian style builings was a newspaper office. The
Courier, a London newspaper, built a new office on the Strand in London in
1804. It fearured a cavetto (coved ) cornice and a pair of Egyptian looking
columns with palmiform capitals.(See: Egyptomania; Egypt in Western Art;
1730-1930, Jean-marcel Humbert, Michael Pantazzi and Christiane Ziegler,
1994, pp. 172-3)
The most important building of the Egyptian revival in France was the
Egyptian Temple in the Place des Victories, built as a memorial to generals
Desaix and Kleber. The conrnerstone was laid on 19 Fructidor Year VIII
(Sept. 6, 1800.)
An Egyptian Revival building that can still be seen in paris is the 1812
Fountain of the Fellah, Rue de Sevres, by Francois-Jean Bralle.
The Egyptian Hall in London, completed in 1812, and the Egyptian Gallery, a
private room in the home of connoisseur Thomas Hope to display his Egyptian
antiquities, and illustrated in engravings from his meticulous line drawings
in his Household Furniture (1807), were a prime source for the Regency style
in British furnishings.
The cemetery at Highgate, with its Egyptian Avenue, is an example of the
popularity Egyptian style continued to enjoy as funerary architecture.
In Russia, this wave — associated primarily with the discoveries of
Champollion — produced similar monuments:
Egyptian Bridge
Quay (1832-1834) designed by Konstantin Thon in front of the Imperial
Academy of Arts building
Egyptian Gate
The Regional Studies Museum in Krasnoyarsk

The Regional Studies Museum in Krasnoyarsk
In the Middle East

The National Museum of Beirut.
Unsurprisingly, a number of buildings in Middle Eastern countries,
especially Egypt itself, have been built in this style, where it competed
with versions of the Indo-Saracenic style, a revival of the style medieval
Islamic architecture in Egypt, as well as Western styles. The National
Museum of Beirut, completed in 1937, is an example. A number of entries for
the competition for the proposed Grand Egyptian Museum near the Pyramids
mixed modernism with various elements of Ancient Egyptian tomb and temple
architecture.
Twentieth century
The expeditions that eventually led to the discovery in 1922 of the treasure
of Tutankhamun's tomb by the archaeologist Howard Carter led to a third
revival. Grauman's Egyptian Theatre in Los Angeles, USA, now home to the
American Cinematheque, is an Egyptian Revival theatre from the era.
Interestingly, the Egyptian Theatre was designed, built and opened in
October 1922, two weeks before the historic discovery in November 1922 of
the tomb.
The Reebie Storage Warehouse in Chicago, Illinois, features twin statues of
Ramses II and accurate use of ancient Egyptian images and hieroglyphics.
Plaster reliefs depict ancient Egyptians moving grain on barges. The
warehouse is one of the nation's best examples of pure academic-style
Egyptian Revival commercial architecture, and is designated as a Chicago
Landmark and listed on the National Register of Historic Places.
Simultaneously, Aleksey Shchusev designed Lenin's Mausoleum with many
elements borrowed from the Pyramid of Djoser. The Egyptian revival of the
1920s is sometimes considered to be part of the Art Deco decorative arts
movement. It was present in furniture and other household objects, as well
as in architecture.
The Louvre Pyramid in Paris and Rosicrucian Egyptian Museum in San Jose,
California, are modern-day examples of Egyptian Revival structures.
Additionally, Rosicrucian Park contains many examples of Egyptian Revival
architecture.

The 1833 First Presbyterian Church (Sag Harbor) by Minard Lafever, a rare
example of an Egyptian revival church.
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