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| Essential
Architecture- Search by style
Chateauesque Architecture |
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Ukranian Institute,
New York |
The Jewish Museum,
New York |
CPW @ W72nd -Dakota
Apartments, NY |
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The Schinasi
Mansion UWS, New York |
Engine Company No.
31, New York |
Consulate General
of Poland , New York |
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Charles M. Schwab
mansion (NY- demolished) |
Cornelius Vanderbilt mansion, George B. Post,
1882. Fifth Avenue at 57th Street. (NY- demolished) |
Biltmore Estates/Vanderbilt Residence, N. Carolina |
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| Halton House, Buckinghamshire (1883 country
house) |
Massandra, Yalta (1889 palace) |
Massandra, Yalta |
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| Euxinograd, Bulgaria (1880s palace) |
Sunnyside Hospital, Christchurch, New Zealand
(1891-1999 asylum) |
Belcourt Castle, Newport, Rhode Island (1894
summer villa) |
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| Kimberly Crest, Redlands, California (1897
mansion) |
Charles H. Patten House, Palatine, Illinois,
1898 |
Carey Mansion, Newport, Rhode Island |
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| Vernon Court, Newport, Rhode Island (1893
mansion) |
Charles G. Dawes House, 1894, 225 Greenwood
St., Evanston, IL. H. Edwards Ficken, architect |
Place Viger, Montreal |
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Châteauesque is an architectural style based on
French château style used in the 1400s to the 1600s in the Loire Valley. It
was popularized in the United States by Richard Morris Hunt during the
1880s. The style frequently features vernacular buildings incongruously
ornamented by the elaborate towers, spires, and mansard roofs of the 16th
century châteaux of the Loire Valley, themselves influenced by late Gothic
and Italian Renaissance architecture. Despite their French ornamentation,
buildings in the châteauesque style do not attempt to completely emulate a
French château. This is exemplified by Massandra which, although having
renaissance features, is painted ochre and has contrasting quoining, both of
which are features of the Crimean aristocratic villa rather than the Loire
valley.
As a revival style, Châteauesque buildings are typically built on an
asymmetrical plan with an exceedingly broken roof-line and a facade composed
of advancing and receding planes. The style was mostly employed in the
United States for residences of the extremely wealthy, though was
occasionally used for public buildings. Many of Canada's grand railway
hotels were built in the Châteauesque style. The style began to fade after
the 1900s.
In Hungary Arthur Meinig built some nice country houses in the Loire Valley
style. The earliest is Andrássy Castle in Tiszadob, 1885-1890. The grandest
is Károlyi Castle in Nagykároly (Carei), 1893-1895. |
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For two generations, the old Society families
of New York snubbed the Vanderbilts. Alva Vanderbilt, the wife of Commodore
Vanderbilt's son William, was determined to change that. She commissioned a
mansion so grand that the bluebloods would have no choice but to accept her.
The Vanderbilt chateau at 52nd Street, designed by architect Richard Morris
Hunt, represents the first influential grafting of European history on
unseasoned American wealth. It was grand and gaudy, inspired by great
mansions of 15th-century France. It literally dripped with Europe, instantly
becoming the standard for the mansions of Fifth Avenue and the palatial
homes of Newport. To some, however, it seemed a bit much. Critic Louis H.
Sullivan called it "a contradiction, an absurdity, a characteristically New
York absurdity." |
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| Biltmore Estate, 1890-1895,
Asheville, North Carolina, Richard Morris Hunt, architect
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The Chateauesque style became fashionable in
the 1880s due to the influence of New York City's famed Vanderbilt mansion
(1879, Richard Morris Hunt). The style, which was based on 16th century
French Renaissance
French chateaux, was initially used in America for the mansions of the
city's social elite. It later became popular for smaller houses.

Kimball House, Chicago
Common characteristics are:
-vertical proportions
-massive-looking masonry walls
-mix of "Gothic" and "Renaissance" ornament
-high-peaked hipped roofs, elaborate dormers, and tall chimneys
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