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Architecture- Search by style
Persian / Iranian architecture |
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Architecture is one of the fields in which Iranians have had a lengthy
involvement in history. The major building types of this architecture are
the mosque and the palace. The architecture makes use of abundant symbolic
geometry, using pure forms such as the circle and square. Plans are based on
often symmetrical layouts featuring rectangular courtyards and halls.
The post-Islamic architecture of Iran draws ideas from its pre-Islamic
predecessor, and has geometrical and repetiitve forms, as well as surfaces
that are richly decorated with glazed tiles, carved stucco, patterned
brickwork, floral motifs, and calligraphy.
Overall, the architecture of the Iranian lands throughout the ages can be
categorized into the following classes or styles ("sabk"):
Pre-Islamic:
The "Elamite" style. Examples: Chogha zanbil, Sialk.
The "Parsi" style. Examples: Pasargad, Persepolis, Chogha zanbil, Sialk.
The "Parthian" style. Examples: Anahita Temple, Khorheh, Hatra.
The "Sassanid" style. Examples: the vault of Kasra in Ctesiphon, Bishapur,
Palace of Ardashir in Ardeshir Khwarreh (Firouzabad).
Post-Islamic:
The "Khorasani" style. Examples: Mosque of Nain, Tarikhaneh-ye Damghan [2],
Congregation (Jame) mosque of Isfahan [3].
The "Razi" style. Examples: Tomb of Isma'il of Samanid [4], Gonbad-e Qabus,
Kharaqan towers.
The "Azari" style. Examples: Soltaniyeh, Arg-i Alishah, Mosque of Varamin,
Goharshad Mosque, Bibi Khanum mosque in Samarqand, Congregation mosque of
Yazd.
The "Isfahani" style. Examples: Chehelsotoon, Agha Bozorg Mosque, Kashan,
the Shah Mosque, and the Sheikh Lotf Allah Mosque.
Pre-Islamic Architecture of Persia (Iran)
See also: Sassanid architecture

It was not uncommon for ancient Iranian builders to make models such as this
Adobe Ceramic maquette of a tower (dated 13th century BCE) in their work.
Excavated at Chogha Zanbil, Iran.
By evidence, the history of architecture and urban planning in Iran (Persia)
dates back some 10 thousand years ago. Persians were among the first to use
mathematics, geometry, and astronomy in architecture. Teppe Sialk, an
important ziggurat near Kashan, built 7000 years ago, represents one such
prehistoric site in Persia whose inhabitants were the initiators of a simple
and rudimentary housing technique.
Persian (Iranian) architecture left a profound influence on the architecture
of old civilizations. Professor Arthur Pope wrote: "Architecture in Iran has
at least 6,000 years of continuous history, examples of which can be seen
from Syria to north India and Chinese borders, and from Caucasus to
Zanzibar."
Iran ranks among the top 10 nations with the most architectural ruins from
antiquity and is recognized by UNESCO as being one of the cradles of
civilization.

After 2500 years, the ruins of Persepolis still inspire visitors from far
and near.
Each of the periods of Elamites, Achaemenids, Parthians, and Sassanids were
creators of great architecture that over the ages has spread wide and far to
other cultures being adopted. Although Iran has suffered its share of
destruction, including Alexander The Great's decision to burn Persepolis,
there are sufficient remains to form a picture of its classical
architecture.
The Achaemenids built on a grand scale. The artists and materials they used
were brought in from practically all territories of what was then the
largest state oin the world. Pasargadae set the standard: its city was laid
out in an extensive park with bridges, gardens, colonnaded palaces and open
column pavilions. Pasargadae along with Susa and Persepolis forcefully
expressed the authority of The King of Kings, the staircases of the latter
recording in relief sculpture the vast extent of the imperial frontier.
With the emergence of the Parthians and Sassanids there was an appearance of
new forms. Parthian innovations fully flowered during the Sassanid period
with massive barrel-vaulted chambers, solid masonry domes, and tall columns.
This influence was to remain for years to come.

Arge Bam is a great example of Persian castles.
The roundness of the city of Baghdad in the Abbasid era for example, points
to its Persian precedents such as Firouzabad in Fars.1 The two designers who
were hired by al-Mansur to plan the city's design were Naubakht, a former
Persian Zoroastrian who also determined that the date of the foundation of
the city would be astrologically auspicious, and Mashallah, a former Jew
from Khorasan.2
The ruins of Persepolis, Ctesiphon, Jiroft, Sialk, Pasargadae, Firouzabad,
Arg-é Bam, and thousands of other ruins documented in only what is today
Iran may give us merely a distant glimpse of what contribution Persians made
to the art of building.
Post-Islamic Architecture of Persia (Iran)

Koochehs provided relief from dust storms and intense sunlight. This was an
efficient and ancient form of urban design in Persia. Photo is from Kashan,
Iran (Persia).
Built during the Safavid period, an excellent example of Islamic
Architecture in Persia (Iran). The fall of the Persian empire to invading
Islamic forces ironically led to the creation of remarkable religious
buildings in Iran. Arts such as calligraphy, stucco work, mirror work, and
mosaic work, became closely tied with architecture in Iran in the new era.
Archaeological excavations have provided sufficient documents in support of
the impacts of Sasanian architecture on the architecture of the Islamic
world.
Many experts believe the period of Persian architecture from the 15th
through 17th Centuries to be the most brilliant of the post-Islamic era.
Various structures such as mosques, mausoleums, bazaars, bridges, and
different palaces have mainly survived from this period.

Ali Qapu palace, was the celebrated seat of The Safavid capital in Isfahan,
Iran
Safavi Isfahan tried to achieve grandeur in scale (Isfahan's Naghsh-i Jahan
Square is the 6th largest square worldwide) knowledge about building tall
buildings with vast inner spaces. However the quality of ornaments was
decreased in comparison with those of the 14th cnd 15th centuries.
In the old Persian architecture, semi-circular and oval-shaped vaults were
of great interest, leading Safavi architects to display their extraordinary
skills in making massive domes. Domes can be seen frequently in the
structurae of bazaars and mosques, particularly during the Safavi period in
Isfahan. Iranian domes are distinguished for their height, proportion of
elements, beauty of form, and roundness of the dome stem. The outer surfaces
of the domes are mostly mosaic faced, and create a magical view.
According to D. Huff, a German archaeologist, the dome is the dominant
element in Persian architecture. Professor Arthur U. Pope, who carried out
extensive studies in ancient Persian and Islamic buildings, believed: "The
supreme Iranian art, in the proper meaning of the word, has always been its
architecture. The supremacy of architecture applies to both pre-and
post-Islamic periods."
An investigation into post-Islamic architecture in Persia reveals how
architecture was in harmony with the people, their environment, and their
Creator. Yet no strict rules were applied to govern Islamic architecture.
The great mosques of Khorasan, Isfahan, and Tabriz each used local geometry,
local materials, and local building methods to express in their own ways the
order, harmony, and unity of Islamic architecture. When the major monuments
of Islamic Persian architecture are examined, they reveal complex
geometrical relationships, a studied hierarchy of form and ornament, and
great depths of symbolic meaning.

Architecture of Bridges. Sassanid or Safavid, bridges have a Special place
in Iranian architecture.

Architecture of Persian Gardens. Khalvat-i Karim-khani, in the gardens of
the Golestan Palace.

Architecture of shrines and monuments. Shrine of Omar Khayam, Nishapur.

Craftsmanship in Architecture. An excellent animation depicting the
excellent details of the interiors:
(click)

Architecture of Palaces. Pasargad and Persepolis.

Architecture of towers and tombs. A design of The Seljuki era. Qazvin

Architecture of Bazaars. Timcheh-e-Amin o Dowleh, Bazaar of Kashan.

Sheikh Lotf Allah Mosque was built at the order of Shah Abbas over a period
of 18 years by the artisan Mohammad Reza Isfahani.
UNESCO designated World Heritage Sites
The following is a list of World Heritage Sites designed or constructed by
Iranians (Persians), or designed and constructed in the style of Iranian
architecture:
Inside Iran:
Arg-é Bam Cultural Landscape, Kerman
Naghsh-i Jahan Square, Isfahan
Pasargadae, Fars
Persepolis, Fars
Tchogha Zanbil, Khuzestan
Takht-e Soleyman, West Azerbaijan
Dome of Soltaniyeh, Zanjan
Outside Iran:
Taj Mahal, India - designed by the Mughal Empire
Minaret of Jam, Afghanistan
Tomb of Humayun, India
Mausoleum of Khoja Ahmed Yasavi, Kazakhstan
Historic Centre of Bukhara
Historic Centre of Shahrisabz
Samarkand - Crossroads of Cultures
Citadel, Ancient City and Fortress Buildings of Darband, Daghestan
Iranian architects
Tomb of Humayun, India. Many Iranian architects built edifices outside their
homeland.
Taj Mahal is one of the greatest examples of Persian architecture outside of
Iran.
See main article: List of historical Iranian architects.
Persian architects were a highly sought after stock in the old days, before
the advent of Modern Architecture. Many, such as Ostad Isa Shirazi designed
global landmarks such as The Taj Mahal, Afghanistan's Minaret of Jam, The
Sultaniyeh Dome, or Tamerlane's tomb in Samarkand.

A traditional pigeonhouse in Meybod, Yazd.
References
Islam Art and Architecture. Markus Hattstein, Peter Delius. 2000. p96. ISBN
3-8290-2558-0
Islamic Science and Engineering. Donald R. Hill. 1994. p10. ISBN
0-7486-0457-X
Sabk Shenasi Mi'mari Irani (Study of styles in Iranian architecture), M.
Karim Pirnia. 2005. ISBN 964-96113-2-0
FROM ARISTOTLE TO ZOROASTER : AN A TO Z COMPANION TO THE CLASSICAL WORLD, A.
Cotterell, ISBN 0-684-85596-8, 1998.
Sense of Unity. Nader Ardalan and Laleh Bakhtiar. ISBN 1-871031-78-8
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the Shah Mosque (Maydan-i-Shah)
in Isfahan, Iran
One of the first civilizations that Islam came into contact with during and
after its birth was that of Persia. The eastern banks of the Tigris and
Euphrates was where the capital of the Persian empire lay during the 7th
century. Hence the proximity often led early Islamic architects to not just
borrow, but adopt the traditions and ways of the fallen Persian empire.
Islamic architecture borrows heavily from Persian architecture and in many
ways can be called an extension and further evolution of Persian
architecture (further mixed with Byzantine influences).
Many cities such as Baghdad, for example, were based on precedents such as
Firouzabad in Persia. In fact, it is now known that the two designers who
were hired by al-Mansur to plan the city's design were Naubakht (نوبخت), a
former Persian Zoroastrian, and Mashallah (ماشاءالله), a former Jew from
Khorasan, Iran.
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