|
| |
| Essential
Architecture- Search by style
Jugendstil |
|
Art Nouveau --
Jugendstil
-- Vienna Secession
-- Modernisme
--
Stile Liberty |
 |
 |
 |
| The villa Schutzenberger in Strasbourg, now seat of the
European Audiovisual Observatory, was built 1897-1900 by Berninger & Krafft
and is considered a superb example of Jugendstil style. |
House of the architect Peter Behrens on the Mathildenhöhe in
Darmstadt |
Building in Łódź by Gustaw Landau Gutenteger |
 |
|
|
| Kecskemét. |
|
|
| |
|
|
Jugend and Jugendstil

Jugendstil typography, applied to a brewery sign
Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben (English:
Youth: the illustrated weekly magazine of art and lifestyle of Munich) was a
magazine founded in 1896 by Georg Hirth. At the height of Art Nouveau it was
instrumental in promoting the style in Germany. As a result, the magazine's
name was adopted as the most common German-language term for the movement:
Jugendstil ("Jugend-style"). Although in the early 20th century the word was
only applied to two-dimensional examples of the graphic arts, especially the
forms of organic typography and graphic design found in and influenced by
German-magazines like Jugend, Pan, and Simplicissimus, it is now broadly
applied to the broader manifestations of Art Nouveau visual arts in Germany,
the Netherlands, the Baltic states and Nordic countries.

German Art Nouveau is commonly known by its German name, Jugendstil. Drawing
from traditional German printmaking, the style uses precise and hard edges,
an element which was rather different from the naturalistic style of the
time. Within the field of Jugendstil art there are a variety of different
methods, applied by the various individual artists. Methods range from
classic to romantic. One feature that sets Jugendstil apart is the
typography used. Typically the letter and image combination is unmistakable.
The combination was used for covers of novels, advertisements, or exhibition
posters. Designers often used unique display typefaces which worked
harmoniously with the image.
Henry Van de Velde, who worked most of his career in Germany, was a Belgian
theorist who influenced many others to continue in this style of graphic art
including Peter Behrens, Hermann Obrist, and Richard Riemerschmid. August
Endell is another notable Art Nouveau designer.
Magazines were important in spreading the visual idiom of Jugendstil,
especially the graphical qualities. Besides Jugend, other important ones
were the satirical Simplicissimus and Pan. |
| |
|