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| Essential
Architecture- Search by style
Georgian architecture |
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| A Georgian house in Salisbury |
Dunfermline Law Courts in Dunfermline,
Fife, completed in c.1762. |
Provincial Georgian architecture, c.
1760. Northwold, Norfolk. |
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Georgian architecture
Georgian architecture is the name given in most English-speaking countries
to the set of architectural styles current between 1720 and 1840. It is
eponymous for the British monarchs George I-IV, who reigned in continuous
succession from August 1714 to June 1830.
History and Definition
Georgian succeeded the English Baroque of Sir Christopher Wren, Sir John
Vanbrugh and Nicholas Hawksmoor. Major architects to promote the change in
direction from baroque were Colen Campbell, author of the influential book
Vitruvius Britannicus, Richard Boyle, 4th Earl of Cork (Lord Burlington) and
his protegé William Kent, Thomas Archer, and the Venetian Giacomo Leoni, who
spent most of his career in England.
The styles that resulted fall within several categories. In the mainstream
of Georgian style were both Palladian architecture— and its whimsical
alternatives, Gothic and Chinoiserie, which were the English-speaking
world's equivalent of European Rococo. From the mid-1760s a range of
Neoclassical modes were fashionable, associated with the British architects
Robert Adam, James Gibbs, Sir William Chambers, James Wyatt, Henry Holland
and Sir John Soane. Greek Revival was added to the design repertory, after
about 1800. See also: Adam style, Georgian Dublin.
Georgian architecture is characterized by its proportion and balance; simple
mathematical ratios were used to determine the height of a window in
relation to its width or the shape of a room as a double cube. "Regular" was
a term of approval, implying symmetry and adherence to classical rules: the
lack of symmetry, where Georgian additions were added to earlier structures,
was deeply felt as a flaw. Regularity of housefronts along a street was a
desirable feature of Georgian town planning. Georgian designs usually lay
within the Classical orders of architecture and employed a decorative
vocabulary derived from ancient Rome or Greece. The most common building
materials used are brick or stone. Commonly used colors were red, tan, or
white. However, modern day Georgian style homes use a variety of colors.
General characteristics
Identifying Features 1700-1780+ A simple 1-2 story box 2 rooms deep using
strict symmetry arrangements. Panel front door centered, topped with
rectangular windows (in door or as a transom) & capped with elborate
crown/entablature supported by decorative pilasters. Cornice embellished
with decorative moldings, usually dentilwork. Multi-pane windows are never
paired & fenestrations are arranged symmetrically vertical/horizontal,
usually 5 across.
Other features of Georgian style houses can include - roof to ground-level:
Roof: 40% are Side-gabled; 25% Gambrel; 25% Hipped
Chimneys on both sides of the home
A portico in the middle of the roof with a window in the middle is more
common with post-Georgian styles, e.g. "Adam"
Small 6-paned sash windows and/or dormer windows in the upper floors,
primarily used for servant's quarters
Larger windows with 9/12 panes on the main floors
Colonial Georgian architecture
Georgian Architecture was widely disseminated in the English colonies of the
time. In the American colonies, colonial Georgian blended with the
neo-Palladian style to become known more broadly as 'Federal style
architecture'. Georgian buildings were also constructed of wood with
clapboards; even columns were made of timber, framed up and turned on an
over-sized lathe. The College of William and Mary in Williamsburg, Virginia,
is an excellent example of Georgian architecture in the Americas.
Unlike the Baroque style that it replaced, which was generated almost solely
in the context of palaces and churches, Georgian had wide currency in the
upper and middle classes. Within the residential context, the best remaining
example is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland.
This house was designed by colonial architect William Buckland and modeled
on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I
Quattro Libri dell'Architettura (Four Books Of Architecture).
The establishment of Georgian architecture, and the Georgian styles of
design more generally, were to a large degree aided by the fact that, unlike
earlier styles which were primarily disseminated among craftsmen through the
direct experience of the apprenticeship system, Georgian was also spread
through the new medium of inexpensive suites of engravings. From the
mid-18th century, Georgian styles were assimilated into an architectural
vernacular that became part and parcel of the training of every architect,
designer, builder, carpenter, mason and plasterer, from Edinburgh to
Maryland.
Post-Georgian developments
Georgian architecture at Royal Crescent, Bath, showing the contrast between
the architectural style of the public front and the private rear of this
famous terrace
After about 1840 Georgian conventions were slowly abandoned as a number of
Revival styles, including Gothic revival, enlarged the design repertoire. In
the United States this style declined in popularity after the revolution,
due to its association with the colonial regime; but later in the early
decades of the twentieth century when there was a growing nostalgia for its
sense of order, the style was revived and came to be known as the Colonial
Revival. In Canada the United Empire Loyalists embraced Georgian
architecture as a sign of their fealty to Britain, and the Georgian style
was dominant in the country for most of the first half of the 19th century.
The Grange, for example, a manor built in Toronto, was built in 1817.
The revived Georgian style that emergeed in Britain at the beginning of the
20th century is usually referred to as Neo-Georgian; the work of Edwin
Lutyens includes many examples. Versions of the Neo-Georgian style were
commonly used in Britain for certain types of urban architecture until the
late 1950s, Bradshaw Gass & Hope's Police Head Quarters in Salford of 1958
being a good example. In both the United States and Britain, the Georgian
style is still employed by architects like Quinlan Terry for private
residences. |
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| The Close, Salisbury

Georgian architecture at Royal Crescent, Bath. Notice the contrast between the architectural style of the public front and the private rear of this famous terrace
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